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Part two of Wayne Koestenbaum's autobiographical trance trilogy: intimate experiments in queer documentary and improvisatory poetics, Camp Marmalade takes the freedoms of trance utterance—unfettered verbal association, explicit auto-ethnography, erotic bricolage—and applies a more stringent sense of time-as-emergency to this liberation-oriented poetic method. Part diary, part collage, part textbook for a new School of Impulse, Camp Marmalade assembles a perverse and giddy cultural archive, a Ferris wheel of aphorisms, depicting a queer body amidst a dizzying flow of sensations, dreams, and sex-and-death distillations—whether sugary, fruity, bitter, expired, or freshly jarred.

In her latest collection, Dorothea Lasky brings her signature style—a deeply felt and uncanny word-music—to all matters of creativity, from poetry and the invention of new language to motherhood and the production of new life. As much a personal document as it is an occult text, Milk investigates overused paradigms of what it means to be a creator and encapsulates its horrors and joys—setting fire to the enigma that drives the vital force that enables poems, love, and life to happen. 

Wayne Koestenbaum has published nineteen books of poetry, criticism, and fiction, including Notes on Glaze, The Pink Trance Notebooks, My 1980s & Other Essays, Hotel Theory, Best-Selling Jewish Porn Films, Andy Warhol, Humiliation, Jackie Under My Skin, and The Queen’s Throat (a National Book Critics Circle Award finalist).  His newest book of poetry, Camp Marmalade, was published this spring.  He has exhibited his paintings in solo shows at White Columns (New York), 356 Mission (L.A.), and the University of Kentucky Art Museum.  His first piano/vocal record, Lounge Act, was released by Ugly Duckling Presse Records in 2017;  he has given musical performances at The Kitchen, REDCAT, Centre Pompidou, The Walker Art Center, and the Renaissance Society.  He is a Distinguished Professor of English, Comparative Literature, and French at the CUNY Graduate Center in New York City.

Dorothea Lasky is the author of five books of poetry, most recently Milk (Wave Books), as well as ROME (W.W. Norton/Liveright). She is also the author of several chapbooks, including  Snakes (Tungsten Press) and Poetry is Not a Project (Ugly Duckling Presse). She is the co-editor of Open the Door: How to Excite Young People About Poetry (McSweeney’s). She lives in New York City, where she is an Associate Professor of Poetry in Columbia University’s School of the Arts.